Course Overview
Week 1: Breath Support & Posture Engineering
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Diaphragmatic breathing drills vs. clavicular/shallow breathing.
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Tension-release warm-ups: Jaw drops, tongue trills, and sustained lip rolls.
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Building an open throat posture: The inner-smile and low-larynx concept.
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Week 2: Pitch Matching & The 7 Shuddha Swaras
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Tuning the ear: Pitch matching with drone/tanpura across 3 octaves (Mandra, Madhya, Taar Saptak).
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Vowel alignment: Moving from humming (Mm) to open Aakar (Aa) without losing placement.
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Identifying and fixing flat (Utra hua) and sharp (Chadhaa hua) pitch tendencies.
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Week 3: Vocal Agility & Foundational Alankars
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Five core vocal patterns (Alankars) designed for throat flexibility.
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Practicing across tempo ladders: Single speed (1x), double (2x), and quadruple (4x).
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Articulation: Crisp consonant execution without breaking airflow.
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Week 4: Practical Song Application I – Mid-Tempo Melodies
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Analyzing vocal lines: Deconstructing notes from ballads (e.g., “Tum Hi Ho” or “Hothon Se Chhoo Lo Tum”).
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Phrase-by-phrase pitch mapping with a guide track.
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Milestone Check: Recording baseline performance for review.
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Week 5: Register Blending (Chest, Mixed & Head Voice)
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Accessing high notes without straining or yelling.
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Finding the “Mixed Voice” for powerful Bollywood choruses.
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Developing rich resonance in the lower register (Mandra Saptak).
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Week 6: Modal Nuances – Komal/Teevra Swaras & Film Raags
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Introducing flat (Komal) and sharp (Teevra) notes through iconic melodies.
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Recognizing Raag foundations in popular cinema (Raag Yaman, Bhairavi, and Bilawal).
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Interval jumps: Singing wide melodic leaps accurately.
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Week 7: Vocal Ornaments (Murki, Harkat & Meend)
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Deconstructing modern ornaments: Emulating vocal runs in styles of Arijit Singh, Shreya Ghoshal, and Atif Aslam.
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Smooth pitch slides (Meend) vs. stepped grace notes (Kanna Swara).
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Eliminating vocal breaks during fast ornamental transitions.
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Week 8: Expression, Diction & Mic Dynamics
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Correct phonetic pronunciation: Handling Urdu nuances (Nuqte: Kh, Gh, Z, F) and Hindi diction.
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Expressive dynamics: Using breathiness, volume crescendos, and micro-pauses for emotional delivery.
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Song Application II: Romantic/Sufi ballad execution.
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Week 9: Rhythm, Tempo & Groove (Taal & Meter)
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Singing on beat: Internalizing 4/4 (Keherwa), 6/8 (Dadra), and syncopated modern beats.
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Pocket singing: Staying tight with the click track, backbeats, and acoustic arrangements.
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Fixing latency: How to listen to backing tracks while monitoring your own voice.
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Week 10: Microphone Technique & Karaoke Mastery
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Proximity effect: Managing mic distance for low murmurs vs. loud, high-energy hooks.
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Off-axis singing to avoid plosives (P, B) and harsh sibilance (S, Sh).
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Navigating live karaoke tracks: Cue pickups, interludes, and count-ins.
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Week 11: Genre Versatility (Semi-Classical, Sufi & Retro)
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Adapting tone: Switching between crisp retro clarity (Kishore/Rafi style) and contemporary husky textures.
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Sufi and devotional delivery: Sustaining high-energy projection (Aalaap and open-vowel belting).
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Rehearsal protocol for studio recording vs. live gigs.
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Week 12: Final Showcase & Personalized Vocal Audit
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Submission of the student’s polished song recording (clean vocal over backing track).
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One-on-one detailed evaluation: Pitch accuracy, breath economy, dynamics, and vocal tone.
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Handover of the Lifetime Daily 20-Minute Riyaz Blueprint.
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